wednesday’s child

Wednesday’s Child is a photographic observation of the uneasy relationship between humans and the natural world, seen in overlooked spaces where presence and absence blur.

Bouquet of flowers tied to a wooden bench in sunlight beside a white wall.

Weathered garage doors with a ‘No Parking 24 HR Access’ sign on an industrial street corner.

Plastic hawk decoy on a white gate in a small yard under grey sky.

Moorland grass with vehicle tracks running over a low hill beneath blue sky.

Young tree planted in a tarmac car park, framed by white bay lines.

Overgrown path between stone buildings leading into trees.

Electrical insulators on a rooftop beside a boarded-up building with weeds

Fuel pump nozzles hanging on long hoses at a roadside.

Wednesday’s Child reflects on how our interventions shape and unsettle the natural world. Rather than focusing on grand environmental gestures, the work lingers in the marginal and the everyday. Places where traces of control, neglect, and adaptation coexist.

These quiet images speak to the fragile balance between people and place, touching on themes of disconnection, intrusion, and resilience. In their stillness lies a tension: evidence of our desire to order and contain, set against nature’s quiet persistence.